When the slasher movie hit big at the start of the 80s, every one was looking for their own variation on Voorhees to feed the box office frenzy. While John Carpenter and his aimless ‘Shape’ in fact revived the genre, it was Sean Cunningham and a mangled mother’s son that made the slaughter-as-shooting-gallery ideal seem e la mode. After that particularly freaky Friday, you saw all method of stylized serial killers come crawling out of the woodwork, guaranteeing that the breathing-spell of the calendar year would glimpse some incredibly idiosyncratic abattoir aspects. There were pissed off janitors, livid gardeners, mutant inbred retards, bug boys and hacked off hermaphrodites. And along with the perpetrators of this pain, the mien of massacre was equally weirdo as well. Everything from bring cues to leftover pork scrapple was used to vivisect, violate and victimize a populace of teens (and occasional tweens) who made the mistake of letting their hormones get horny while visiting the local reprobate funeral mat.
When Frightmare finally hit theaters in 1982 (under the moniker Horror Star), its novelty got it more than a little attention. Wanting to mesh the current trend toward corpse carving with those old school shivers (almost always helmed by a certain Vinny Price) it hoped to bring fright flick purists into the wicked world of newfangled psycho killer cinema. And for many, it’s a found fond memory, an above-average horror happening founded on nostalgia and nuance, as well as endlessly inventive incising. Cable only cemented such sentiments, as Frightmare went on to earn a legion of pay channel champions. Add in the booming VHS market where even the most marginal movie could find a comfortable abode, and you’d swear this film flanked Chainsaw and Evil Dead as a long lost classic. Just one look, however, and you’ll instantly understand how misguided such attitudes are. Frightmare is a monotonous mess, made even less memorable by its lack of anything closely resembling a movie – like characters, plot or purpose.
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