A tacky rock’n'roll drama which regurgitates clichés without any sense of humiliate. The script might bring into the world been written twenty-five years ago - like the rock standards the band specialise in - but it is meant to be captivated candidly. Bateman, the daughter from TV’s Family Ties, can’t trill. Nor does Julia Roberts production the drums too convincingly; and as due to the fact that Liam Neeson, moping around as a songwriter who’s lost the muse, he ought to be red-faced of himself.
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